The Creative Process in 10 minutes or less · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Educ

In this episode of The Creative Process and One Planet Podcast, author and filmmaker Chiara Barzini discusses her latest book, Aqua: A Story of Water and Lost Dreams. Journeying through the dried lakebeds of the Owens Valley and the dying shores of the Salton Sea, Barzini unpacks the historical water thefts that built Los Angeles and the environmental consequences of empire, hypercapitalism, and the AI boom. Alongside hosts Mia Funk and Virginia Moscetti, Barzini delves into the creative necessity of illusions, the stoic wisdom of the Etruscans, and what it means to make art on the edge of the apocalypse. It is a profound conversation about confronting our planetary reality while holding on to the dreams that keep us human.

As the Chief Artistic Officer at Lincoln Center for the Performing Arts, Shanta Thake is breaking down barriers—both literal and figurative—to create a more inclusive cultural landscape. From transforming New York’s grandest plazas into welcoming dance floors to grappling with the complex history of San Juan Hill, she views the arts as an essential civic infrastructure. In this episode, we explore her journey from a theater intern to leading one of the world's most prestigious arts institutions, the intersection of technology and human creation, and why gathering together remains our most vital technology for the future.

In this profoundly moving episode of The Creative Process, we sit down with celebrated Bulgarian author Georgi Gospodinov and acclaimed translator Angela Rodel to discuss their International Booker Prize-winning novel, Time Shelter. We delve into the prescient themes of their work, examining what happens when a civilization facing a deficit of meaning attempts to retreat into carefully reconstructed decades of the past. They explore the crucial difference between personal nostalgia and collective propaganda, highlighting how the stories we tell ourselves shape our humanity. Beyond the novel, the conversation touches upon the musicality of language, the profound art of translation, and the intimate lessons learned during the final moments of a loved one's life. Georgi Gospodinov shares how literature slows down time and serves as a vital antidote to a polarized world, while Angela Rodel reflects on translating the subtle emotional atmospheres of Eastern Europe.

For over a decade, technology has promised to simplify our lives, but the rapid rise of AI has brought a wave of anxiety about the future of work, governance, and human connection. We sit down with AI analyst Ignacio de Gregorio, author of The White Box, to separate the unsubstantiated hype from the geopolitical and economic realities of artificial intelligence. From the hidden debt financing fueling data center expansion to Europe’s critical compute gap, this conversation explores the real risks—and true potential—of the AI boom.

We’ve been taught to think of cities as places where nature goes to die, but the reality is much wilder. In this fascinating conversation on One Planet Podcast, award-winning epidemiologist and author Dan Werb challenges our assumptions about urban life by introducing us to "synanthropes"—the wild animals that have adapted to thrive in human-modified environments. From raccoons picking complex locks in Toronto to giant Pacific octopuses building homes in discarded refrigerators off the coast of Seattle, Dan Werb reveals the hidden biodiversity surrounding us every day. Drawing from his latest book, Our Wild Familiars, Dan Werb explains how urban sprawl, climate change, and even our garbage are pulling species into cities, transforming our concrete jungles into unexpected sites of conservation. He also delves into the deep spiritual connections humans have shared with animals like ravens for millennia, the epidemiological risks of habitat destruction explored in The Invisible Siege, and why engaging with the…

Founders of Mikou Architecture, Salwa & Selma Mikou bring a deeply human-centric approach to modern design. Drawing from their childhood in the vibrant, labyrinthine medinas of Fez, Morocco, they view architecture as a powerful social infrastructure that shapes relationships and evokes memory. In this episode of The Creative Process, they discuss how they transform sites into living ecosystems, weaving local narratives and historical traces into their projects. The sisters reflect on their formative years working alongside architectural legends Jean Nouvel and Renzo Piano, and how their complementary visions fuel their collaborative practice. From designing serene mosques in England and holistic "water temples" in France to crafting intricate spaces for Hermès and Yves Saint Laurent, they reveal how buildings can truly sing. Join us to explore how art, intuition, and structural necessity converge to create spaces of profound wellbeing.

ENVIRONMENTALISTS, SCIENTISTS & VISIONARIES · Anthology Guests Author of Various Works · From Extraction to Regeneration"We are living with an extractive mindset... And we need to change from that extractive mindset to a regenerative mindset."

How do we reconnect with a world we have stopped listening to?. In this episode, we explore the kinship we share with nature and the urgent need for a shift in perspective—from seeing the environment as a collection of objects to a community of subjects. We hear from novelists, photographers, scientists and indigenous leaders on the rights of nature, the volatility of a warming planet and the hope found in restoration.

How do we move past climate anxiety and into actionable solutions? Tom Chi, physicist, inventor, and founding partner at At One Ventures, argues that our current economic systems are not fixed laws of nature, but flawed designs that can be rewritten. Drawing from his extensive experience in rapid prototyping at Google X and his new book, Climate Capital, Chi unpacks the "powerlessness algorithm" and reveals how local action, innovative deep tech, and a "builder's mindset" can heal the planet. From scaling robotic agriculture to protecting honeybees with the first-ever insect vaccine, this episode offers a practical, grounded roadmap for designing a world where humanity is a net positive to nature. By shifting our energy away from polarizing "talkers" and toward those who actually build solutions, Chi provides the frameworks necessary for restoring both community resilience and global ecosystems.

My guest today is filmmaker and actress Cherien Dabis, the first Palestinian to receive an Emmy nomination. She has worked on hit series like The L Word, Mo, and Only Murders in the Building. We discuss her ambitious new film All That's Left of You, Jordan's official submission for the Academy Awards. Cherien Dabis shares the profound challenges of filming after October 7th, her collaboration with the legendary Bakri Family, and why choosing humanity is the ultimate act of resistance.

On this episode of The Creative Process, philosopher C. Thi Nguyen joins us to discuss his new book, The Score: How to Stop Playing Somebody Else's Game. He unpacks the profound concept of "value capture"—the moment we stop caring about the rich, subtle experiences of life and start obsessing over simplified, external metrics like grades, likes, and screen time . Beyond the trap of quantification, C. Thi Nguyen explores the liberating power of games and art. We discuss how true play requires us to step lightly between different rule sets, the difference between art and craft, and how reclaiming our creative process might just be the ultimate meaning of life .

In this insightful episode of The Creative Process, host Mia Funk sits down with Costa Book Award-winning author, activist, and comedian Al Kennedy to explore the intersection of education, democracy, and storytelling. Kennedy unpacks the chilling reality behind the Spy Cop scandal and how undercover state surveillance informed her latest novel, Alive in the Merciful Country. Through a blend of candid humor and sharp political critique, Kennedy reflects on the dangerous rise of AI-generated content, the deliberate dismantling of education systems, and the radical power of "whimsy" in protests. Whether discussing her experiences in environmental activism or detailing the Alfred Wolfson voice method, Kennedy reminds us that fiction remains one of the most essential ways to uncover forbidden truths and reconnect with our shared humanity.

In this poignant and intellectually sweeping episode of The Creative Process , celebrated writer Siri Hustvedt opens up about the loss of her husband of 43 years, the legendary novelist Paul Auster. Delving into her new memoir, Ghost Stories, she explores the disorientation of grief, framing it as a particular kind of unrequited love. Hustvedt maps the emotional and physiological toll of loss, drawing parallels to the phantom limb phenomenon discussed by the French philosopher Merleau-Ponty.

We often view the arts as a luxury—something to enjoy only after the "real work" is done. But DAISY FANCOURT, Associate Professor at University College London and author of Art Cure, argues that creativity is a biological necessity. Drawing on the field of psychoneuroimmunology, she reveals how the arts can physically alter our stress hormones, immune system, and even our genetics. In this episode, DAISY FANCOURT shares the science behind "social prescribing" and her work with the World Health Organization. From the evolutionary origins of singing to the impact of art on premature infants and stroke victims, she dismantles the false dichotomy between science and creativity, proving that the arts are vital for a healthy, resilient life.

Today we explore the internal dialogues of artists, actors, writers and directors to ask what it means to step into someone else's shoes. We hear from voices like Jim Shepard on historical dilemmas and Neil Patrick Harris on the transformative power of theater. This episode examines how stories build solidarity and expand our emotional education.

Today we explore the internal dialogues of artists, actors, writers and directors to ask what it means to step into someone else's shoes. We hear from voices like Jim Shepard on historical dilemmas and Neil Patrick Harris on the transformative power of theater. This episode examines how stories build solidarity and expand our emotional education.

Why do stars like Chris Hemsworth turn to regenerative medicine? In these highlights, Dr. Adeel Khan—CEO of Eterna Health and a pioneer in MUSE cell therapy—demystifies the science of these "smart" repair cells. Unlike standard stem cells, Dr. Khan explains how Muse cells can naturally detect inflammation, target tumors, and potentially reverse biological aging.

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the "intelligence of nature," the ethics of what we eat, and the "elastic empathy" required to save our future.

On Music, Trust and Connection with the Animal World Musician Plumes takes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.

On the urgent need to reclaim our political voices, the forces that silence dissent, and how art and poetry are crucial tools for survival Our guest today is an activist scholar who believes the classroom is inseparable from the public square. David Palumbo-Liu is the Louise Hewlett Nixon Professor of Comparative Literature at Stanford University and a founding faculty member of Stanford’s Program in Comparative Studies in Race and Ethnicity. But his work has long reached beyond the academy. Through his book, Speaking Out of Place: Getting Our Political Voices Back, and his podcast of the same name, he insists that the great global crises of our time—from escalating wars and democratic failures to environmental collapse—are fundamentally crises of value and voice. His recent work has put him on the front lines of campus activism, challenging institutions, resigning his membership from the MLA, a move that highlights the ethical cost of speaking truth to power. We’ll talk about what he calls the "carceral…

How can we use negative spaces in fiction to engage with readers’ imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?

Today’s episode is about something most of us long for: feeling healthy in our bodies and calm in our minds — not by pushing harder, but by letting the body restore itself. Our guest today is LD Chen, an entrepreneur-turned-author who discovered the ancient wisdom that healing doesn’t come from trying harder, but from restoring the body’s natural intelligence. LD believes everyone has the right to live peacefully and free from constant stress and anxiety — to move through life with genuine joy, peace, and appreciation. After quickly building a 1,000-person company and then facing burnout and serious health issues, LD’s life changed when he encountered an ancient standing practice called Oneness. He is now the Head Coach of the Oneness Institute for America and Europe, and author of the Amazon bestseller Oneness — The Self-Healing Secret You Were Never Supposed to Know.

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if…

“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the details that we had to carefully figure out how to weave. But, you know, when you look at the first 10 minutes, it could be a horror movie. From that moment, a lot can happen. But what's important about it is that it sets the table for what does happen.” -Howard Gordon Today, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and…

“I can change my mind. I can reduce anger, hatred. Nothing to do with religion. All religions carry the message of love, loving kindness, and tolerance. With different views, there is a possibility to synthesize new ideas. If majority of the world leaders become female, world become safer. I feel that. Compassion is the key factor. Non-violence, compassion and self-confidence, these are key factors for happy individual, happy community, peaceful world. This century should be century of compassion, century of peace. No more bloodshed. We should develop a big “we,” rather than “we” or “they.” With these wings, you can fly.” -DALAI LAMA For decades, the Dalai Lama has been a global symbol of peace, compassion, and resilience, a spiritual leader living in exile from his home in Tibet. But how do you capture the essence of his wisdom—the kind that can truly change a life—in a way that feels intimate and personal? My guest today, documentary filmmaker Barbara Miller, has managed to do just that in her new film,…

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it’s probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.” The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini’s final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini’s original is a fairy tale set in ancient China about a princess whose riddle game costs failed…

“This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices we encounter is significant. Again, I think one of the fundamental aspects of art is that it doesn't require agreement, consensus, or rules. It's a place where we can speculate, imagine, and, hopefully, re-courage ourselves in a way, if that's a word. I've always been motivated by working with artists; that personal meeting is always extremely fruitful.”

“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.” Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival’s Caméra d’Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches…

In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience? PAUL SHRIVASTAVA (Co-President of The Club of Rome) discusses the need for a holistic, eco-civilizational future, emphasizing that science, technology, and economics are important but not the whole picture. He urges us to design our own lives and livelihoods to meet diverse ecological futures, and later highlights the importance of embodied, emotional, and spiritual learning as essential to evolving human consciousness in a technologically dominated world. BAYO AKOMOLAFE (Philosopher, Psychologist, Writer & Founder of the Emergence Network) shares a deeply personal story about the loss of his father, describing how it forced him to mature quickly and become the breadwinner for his family. He reflects on the lessons learned…

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles. There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn’t make sense. We’re growing animals to produce food that we can’t eat so that we can ship it halfway around the world. It’s a system that doesn’t work. The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can’t handle any more carbon absorption; they’re acidifying and…

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love,…

“We're living in a fascinating time, and unfortunately, to an extent, Europe and, very much so, North America are trying to hold onto the past while other parts of the world, like China, Taiwan, Korea, and Japan, are looking to the future. As an Italian citizen and an English citizen, I feel that we’ve left ourselves behind and that others are taking leaps forward. This isn't just about climate science; it’s about big geopolitics. It's about who wins the power battle over the dominant economy, economic thinking, and currencies. Do we have a reserve currency in the petrodollar? All these things are now being questioned in 2025. We're in an extraordinary period of history.” For decades, the conversation around climate change often felt abstract, a distant threat. But what happens when that threat collides with the very concrete world of finance, with investments, and with the bottom line? Mark Campanile has been at the forefront of this critical intersection for over two decades. He's a veteran of sustainable…

“We as humans can destroy things in a couple of years that have taken thousands or even millions of years to form. So in the snap of a finger, we can destroy so much work. That's an observation I’ve seen in all biomes, and it's pretty scary. On the other hand, nature regenerates pretty fast. It heals itself. If humans help this healing process, it can go even faster.”

“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.” Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July…

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty. I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these…

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.” Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers’ in the United Kingdom, and was shortlisted for…

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.” Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers’ in the United Kingdom, and was shortlisted for…

“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?” Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received…

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists. David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating. Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from…

“I think that it all goes back to childhood. I’ve always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start. I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women…

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.” Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a…

“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have…

“I was originally drawn to bees because they're social creatures. And as humans, I always wanted to know about ourselves and how we can be our healthiest selves and our healthiest society. Bees and wasps, and all of these organisms have been around for so long. Bees especially have been around for 100 million years.” Noah Wilson-Rich, Ph.D., is co-founder and CEO of The Best Bees Company, the largest beekeeping service in the US. He is a 20-time published author and 3-time TEDx speaker. He’s on a mission to improve pollinator health worldwide as a means to support our global food system and support the transformation of urban areas from gray to green. He is the author of The Bee: A Natural History. · Book: The Bee: A Natural History tinyurl.com/beenoah · Their blog offers many resources: https://bestbees.com/blog/ · National Pollinator Week June 20 - 26 www.pollinator.org Many events all week · Green roof company Columbia Green Technologies columbia-green.com · Noah-Wilson Rich’s website:…

How do our personal relationships affect political movements and activism? What can we learn from Native American tradition to restore ecological balance? How can transforming capitalism help address global inequality and the environmental crisis? DEAN SPADE (Author of Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together) shares his reflections on the importance of understanding common relational patterns within activist movements. He emphasizes the need for solidarity and collective action in response to global crises like the conflict in Gaza and ecological disasters. Spade argues for resilience and mutual support within activist communities as essential for sustained efforts toward systemic change.

“I want to draw the similarities with alien life, and we have these questions. They're the same questions that we would be asking if we could get a sample from Europa or if we could get a sample from Mars. I think the parallels are partly in how we study them. They're teaching us how to look for strange life, but then they're also teaching us about what’s possible with life, and they're so close to the edge of what is and isn't life that it really helps us to sort of — I don’t know. I don’t know where to draw that line personally, but they at least show us that that line is maybe closer to non-life than we would have thought, than I would have thought.” Karen G. Lloyd is the Wrigley Chair in Environmental Studies and Professor of Earth Sciences at the University of Southern California. Her work has appeared in leading publications such as Nature and Science. She is the author of Intraterrestrials: Discovering the Strangest Life on Earth.

“I think income inequality really greatly contributes to the rage that people might feel, even as some Americans won't. What don't recognize that a more communal society might benefit them. What they see instead is, why don't I have what that person has? Something's getting in my way. And it's not a lack of, of community, it's: somebody else is keeping me down, you know? And that's, I think that's a theme that emerges in The God of the Woods. I think there's a certain thread in American history of, like, individualism at all costs. The Van Laars named their house Self-reliance, which is a testament to the idea that they, I think, falsely believe themselves to have, have created their own power, their own capital, their own wealth, and ignore the fact that it's really the labor of the working class community around them- that, and of the people of Albany who've invested their money in the Van Laars Bank - that that really contributed to the acquisition of this enormous wealth that they now have and this…